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the_scent_of_lilacs2025-03-30 05:53 am
earthspirits) wrote in the_scent_of_lilacs2025-03-30 05:53 am
Costume Analysis: Bridal Gowns - Ellen / Nosferatu 2024 vs Lucy / Bram Stoker's Dracula 1992
SORRY, EVERYONE! This morning, I thought I was deleting a duplicate of this post on my own journal, but instead accidentally deleted my original post here, and all of the comments that were made.
I've now re-posted my original essay - and good news! I was able to retrieve the deleted comments bleodswean and smokingboot made, along with my responses, and have added them all back to the comment section.
Again, sorry for the mix-up!
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Victorian era wedding gowns, as envisioned for two different films, and for two very different characters. Evocative for any vampire's bride.
The beautiful period costumes for Nosferatu 2024 were designed by Linda Muir. She aimed for accurate historical 1830's fashions, in order to contrast the everyday life of the characters vs the supernatural horror of Orlok. And she succeeded brilliantly.
Ellen Hutter is clad in a very demure white bridal gown that I'm assuming is the one she wore for her wedding to Thomas. A very innocent look, it perfectly symbolizes the concept of "Death and the Maiden". And while Ellen plans to sacrifice herself in order to destroy Orlok, and thus save Thomas and the city, it's nevertheless ironic that she choses to wear this gown to her final rendezvous with the count. In effect exchanging her living bridegroom for a dead one.
I've now re-posted my original essay - and good news! I was able to retrieve the deleted comments bleodswean and smokingboot made, along with my responses, and have added them all back to the comment section.
Again, sorry for the mix-up!
___________________________________________________________________________________________________
Victorian era wedding gowns, as envisioned for two different films, and for two very different characters. Evocative for any vampire's bride.
The beautiful period costumes for Nosferatu 2024 were designed by Linda Muir. She aimed for accurate historical 1830's fashions, in order to contrast the everyday life of the characters vs the supernatural horror of Orlok. And she succeeded brilliantly.
Ellen Hutter is clad in a very demure white bridal gown that I'm assuming is the one she wore for her wedding to Thomas. A very innocent look, it perfectly symbolizes the concept of "Death and the Maiden". And while Ellen plans to sacrifice herself in order to destroy Orlok, and thus save Thomas and the city, it's nevertheless ironic that she choses to wear this gown to her final rendezvous with the count. In effect exchanging her living bridegroom for a dead one.
Concept Art by Linda Muir, showing the gown's full details.
The next bride is Lucy Westenra (the best friend of Mina Murray), as depicted in Bram Stoker's Dracula (1992). Her elaborate wedding outfit was designed by Eiko Ishioka. With no pretense as to historical accuracy, it's pure gothic fantasy - a symbol of Lucy's fall from grace, and her transformation from a normal young woman into a ruthless predator. The high frilled lace collar evokes the Elizabethan era, but also imparts a decidedly reptilian look, while the strange headdress has a medieval feel. It's all quite striking, but also extremely creepy, albeit quite appropriate for a vampire.
And there's that. The unfortunate Lucy never becomes an actual bride, as she is murdered by Dracula before she can wed her fiancé Arthur Holmwood. Instead, she's doomed to become a vampire - and a not particularly nice one, at that.
And in her tomb - No longer flirty, but definitely dangerous.
While Ellen and Lucy are both lovely in their own way, they're quite different in temperament. Unlike the haunted and serious minded Ellen, pre-vampire Lucy comes from a privileged background. She's frivolous, fun-loving, and popular, as well as sexually curious. She even has three handsome suitors vying for her attention, before she finally chooses one.
That said, both women will eventually succumb to the temptations of the undead, and the consequences for each will be devastating.
The next bride is Lucy Westenra (the best friend of Mina Murray), as depicted in Bram Stoker's Dracula (1992). Her elaborate wedding outfit was designed by Eiko Ishioka. With no pretense as to historical accuracy, it's pure gothic fantasy - a symbol of Lucy's fall from grace, and her transformation from a normal young woman into a ruthless predator. The high frilled lace collar evokes the Elizabethan era, but also imparts a decidedly reptilian look, while the strange headdress has a medieval feel. It's all quite striking, but also extremely creepy, albeit quite appropriate for a vampire.
And there's that. The unfortunate Lucy never becomes an actual bride, as she is murdered by Dracula before she can wed her fiancé Arthur Holmwood. Instead, she's doomed to become a vampire - and a not particularly nice one, at that.
Pre-vampire Lucy flirting, as she models her gown for one of her suitors (Dr. Seward).
And in her tomb - No longer flirty, but definitely dangerous.
While Ellen and Lucy are both lovely in their own way, they're quite different in temperament. Unlike the haunted and serious minded Ellen, pre-vampire Lucy comes from a privileged background. She's frivolous, fun-loving, and popular, as well as sexually curious. She even has three handsome suitors vying for her attention, before she finally chooses one.
That said, both women will eventually succumb to the temptations of the undead, and the consequences for each will be devastating.